FOLGER SHAKESPEARE LIBRARY
Baptista Minola is seeking to sell off her son Katherine to the highest bidder. Cue an explosive battle of the sexes in this electrically charged love story. Justin Audibert Snow in Midsummer, The Jew of Malta turns Shakespeare's fierce, energetic comedy of gender and materialism on its head to offer a fresh perspective on its portrayal of hierarchy and power. See photos and biogs of the cast and creatives for our production of The Taming of the Shrew.
See what audiences had to say about our reimagined production of The Taming of the Shrew , including onstage footage from the show. Read what the critics had to say about our landmark production of The Taming of the Shrew. This is what a matriarchy looks like.
Browse the gallery of production photos from our reimagined version of The Taming of the Shrew. Our new version of The Taming of the Shrew is set in a matriarchal world where women hold all the power. Director Justin Audibert explains his thinking behind the show. See inside the rehearsal room for The Taming of the Shrew as Director Justin Audibert explains how and why he's swapped the men and women in the play.
Find out about our assisted performances for The Taming of the Shrew. Gain a behind the scenes look at our new version of The Taming of the Shrew with our series of talks and demonstrations. Public transport The Barbican is widely accessible by bus, tube, train and by foot or bicycle. Mobility Spaces for wheelchair users in the rear of the Stalls four and row B of the upper circle four , both with companion seats.
Row B is reached via a platform lift, and staff will be happy to help you. Seats in the back row of the Stalls are suitable for people with limited mobility. If you prefer, you may leave your dog with a member of the cloakroom staff during the performance. Sign language For our occasional BSL-signed performances. Stalls seats close to the signer are reserved for people with hearing impairments. Please book early and ask for these seats.
Captioned performances These display the full text of the play on a screen as the actors speak the words. Seats with the best view of the screen are reserved for people with hearing impairments, so please book early and ask for these seats. Share your feedback. Log in to access bookings, re-print pdf tickets, update email preferences and check out faster.
Kuinka äkäpussi kesytetään () - IMDb
Claire Windsor Sound. Lucy Cullingford Movement. Cast Joseph Arkley. Charlotte Arrowsmith.
Hannah Azuonye. Melody Brown. Richard Clews. James Cooney. Amelia Donkor. Laura Elsworthy. But with a few tricks up her sleeves, Kate is determined to shake things up in Padua City. Bard Direction: Pericles and Lysistrata. Risk Emerging Director Award. Ghazal is an actor and singer based in Toronto. She is thrilled to be joining Bard this year. Heather is thrilled to be working at Bard on the Beach this summer.
Royal Shakespeare Company: The Taming Of The Shrew
She is a recent graduate of Studio 58, and the recipient of the David Pritchard Scholarship for outstanding achievement in stage management. When we started Bard 30 years ago, we were a bunch of young actors who knew nothing.
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- The Taming of the Shrew :|: Open Source Shakespeare.
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We did everything. We put up the tents; worked the box office; hung the lights. We slept overnight to guard the equipment.
We got rained on a lot. I hope you enjoy it. Thank you for coming to see theatre!
Her research explores the use of virtual reality in the creative set design process to enhance communication between a Director and a Designer. She has worked in both film and theatre industries and will continue to master her skills as an artist. He is a graduate of the Canadian College of Performing Arts.ipdwew0030atl2.public.registeredsite.com/366902-phone-whatsapp.php
Bard on the Beach
Victor has appeared in 21 cabarets with Atomic Vaudeville, and in three seasons at the Stratford Festival. Malcolm is an award-winning composer, sound designer and music producer with a background as a touring musician. Happy to return to Bard, he is honoured to be working with the compositions of a Canadian Legend for this production of Shrew!
Austin is excited to be back with Bard on the Beach for his third season. Austin is a graduate of the Canadian College of Performing Arts. For GG.
In a reimagined 1590, society is a matriarchy.
Celeste English is a lighting designer born and raised in Vancouver, BC. This will be her fifth season with Bard, having previously worked with both the Operations and Education departments. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. A musician, writer, director, filmmaker, and Studio 58 grad.
A founding member and Artistic Associate at Bard on the Beach, Mara has designed over seventy productions spanning its thirty years. She is a World Showcase design contributor and an instructor at Studio Alaia Hamer is an emerging theatre designer located in Vancouver, BC. Lighting designer at Bard for 17 seasons. Jennifer has performed in nearly 40 productions in her 19 seasons with Bard. Anton is also an award-winning musical theatre songwriter and is currently at work on three commissions.